The Royal Opera has announced the launch of the RBO/SHIFT Festival, a groundbreaking annual event designed to bridge the gap between centuries-old operatic tradition and the frontier of Artificial Intelligence. Taking place at the Linbury Theatre from 4–7 June 2026, this inaugural edition marks one of the first major festivals by a leading global opera house dedicated to the creative and ethical implications of AI.
Curated by Associate Director Netia Jones, RBO/SHIFT continues opera’s long-standing history of adopting cutting-edge technology—from 18th-century stage mechanics to modern hyper-reality. The festival explores a vital dual question: what can AI offer to creatives, and what can the arts offer a world increasingly governed by algorithms?
A High-Tech Performance Program
The four-day schedule features a roster of international pioneers across music, dance, and coding:
Vocal Innovation: AI innovator Harry Yeff (Reeps100) joins soprano Patricia Auchterlonie to "bend and break" the human voice, while composer Paola Prestini uses technology to provide a "voice" to non-verbal performers.
Intelligent Composition: Legendary experimentalist George E. Lewis performs with SoVo, an artificially intelligent pianist, alongside soprano Juliet Fraser. Meanwhile, Yaboi Hanoi—a former research scientist for Google and TikTok—reimagines classical Thai opera through a digital lens.
Physical & Digital Dance: The Alexander Whitley Dance Company presents Mirror, a philosophical exploration of human movement featuring two dancers and a generative AI "machine."
Interactive Gaming: Director Robin Coops introduces In The Ring, an experimental AI role-playing game inspired by Wagner’s Ring Cycle.
Ethics, Talk, and Family Play
Beyond the stage, Friday, 5 June is dedicated to a series of high-level talks and creative exchanges focusing on the ethical tensions and best practices of machine learning. The festival concludes on 7 June with PLAY SHIFT, an interactive open day inviting families and enthusiasts of all ages to engage with creative coding and live installations.
Tickets for the festival start at £20, offering an accessible entry point into the conversation that Netia Jones describes as "the most consequential technology of our lifetime."
The Royal Opera has announced the launch of the RBO/SHIFT Festival, a groundbreaking annual event designed to bridge the gap between centuries-old operatic tradition and the frontier of Artificial Intelligence. Taking place at the Linbury Theatre from 4–7 June 2026, this inaugural edition marks one of the first major festivals by a leading global opera house dedicated to the creative and ethical implications of AI.
Curated by Associate Director Netia Jones, RBO/SHIFT continues opera’s long-standing history of adopting cutting-edge technology—from 18th-century stage mechanics to modern hyper-reality. The festival explores a vital dual question: what can AI offer to creatives, and what can the arts offer a world increasingly governed by algorithms?
A High-Tech Performance Program
The four-day schedule features a roster of international pioneers across music, dance, and coding:
Vocal Innovation: AI innovator Harry Yeff (Reeps100) joins soprano Patricia Auchterlonie to "bend and break" the human voice, while composer Paola Prestini uses technology to provide a "voice" to non-verbal performers.
Intelligent Composition: Legendary experimentalist George E. Lewis performs with SoVo, an artificially intelligent pianist, alongside soprano Juliet Fraser. Meanwhile, Yaboi Hanoi—a former research scientist for Google and TikTok—reimagines classical Thai opera through a digital lens.
Physical & Digital Dance: The Alexander Whitley Dance Company presents Mirror, a philosophical exploration of human movement featuring two dancers and a generative AI "machine."
Interactive Gaming: Director Robin Coops introduces In The Ring, an experimental AI role-playing game inspired by Wagner’s Ring Cycle.
Ethics, Talk, and Family Play
Beyond the stage, Friday, 5 June is dedicated to a series of high-level talks and creative exchanges focusing on the ethical tensions and best practices of machine learning. The festival concludes on 7 June with PLAY SHIFT, an interactive open day inviting families and enthusiasts of all ages to engage with creative coding and live installations.
Tickets for the festival start at £20, offering an accessible entry point into the conversation that Netia Jones describes as "the most consequential technology of our lifetime."
The Royal Opera has announced the launch of the RBO/SHIFT Festival, a groundbreaking annual event designed to bridge the gap between centuries-old operatic tradition and the frontier of Artificial Intelligence. Taking place at the Linbury Theatre from 4–7 June 2026, this inaugural edition marks one of the first major festivals by a leading global opera house dedicated to the creative and ethical implications of AI.
Curated by Associate Director Netia Jones, RBO/SHIFT continues opera’s long-standing history of adopting cutting-edge technology—from 18th-century stage mechanics to modern hyper-reality. The festival explores a vital dual question: what can AI offer to creatives, and what can the arts offer a world increasingly governed by algorithms?
A High-Tech Performance Program
The four-day schedule features a roster of international pioneers across music, dance, and coding:
Vocal Innovation: AI innovator Harry Yeff (Reeps100) joins soprano Patricia Auchterlonie to "bend and break" the human voice, while composer Paola Prestini uses technology to provide a "voice" to non-verbal performers.
Intelligent Composition: Legendary experimentalist George E. Lewis performs with SoVo, an artificially intelligent pianist, alongside soprano Juliet Fraser. Meanwhile, Yaboi Hanoi—a former research scientist for Google and TikTok—reimagines classical Thai opera through a digital lens.
Physical & Digital Dance: The Alexander Whitley Dance Company presents Mirror, a philosophical exploration of human movement featuring two dancers and a generative AI "machine."
Interactive Gaming: Director Robin Coops introduces In The Ring, an experimental AI role-playing game inspired by Wagner’s Ring Cycle.
Ethics, Talk, and Family Play
Beyond the stage, Friday, 5 June is dedicated to a series of high-level talks and creative exchanges focusing on the ethical tensions and best practices of machine learning. The festival concludes on 7 June with PLAY SHIFT, an interactive open day inviting families and enthusiasts of all ages to engage with creative coding and live installations.
Tickets for the festival start at £20, offering an accessible entry point into the conversation that Netia Jones describes as "the most consequential technology of our lifetime."
