Press Acclaim

Q2 Music

December 15, 2014
Prestini’s style weaves folk melodies and field samples with massive choral sections reminiscent of some forgotten Renaissance Mass, all filtered through her own distinctive musical language… the overall effect is engaging and quite moving. The major themes of transformation, immigration and culturally complex, layered ethnicity seem to resonate both on a macro level in the age of globalization, as well as on a micro level in what Prestini calls the search for 'internal geography.'

Q2 Music

November 10, 2014
Next is Listen, Quiet by Paola Prestini, an unexpectedly catchy track featuring Jason Treuting of So Percussion. It’s not so much music for solo cello as it is a fantastically quirky percussion piece with a cello narrator. An expert welder of elements, Prestini cuts in recordings of women’s voices in a way that’s vaguely reminiscent of The Books’ Lemon of Pink album.

New York Classical Review

June 4, 2014
The evening was kicked off by composer, mover and shaker Paola Prestini, a curator of the annual River to River festival and creative director of the Brooklyn-based Original Music Workshop.

The Wall Street Journal

November 29, 2013
“The music was ace.”

The New York Times

November 25, 2013
“Well wrought … upbeat and enthralling.”

Classical TV

November 1, 2013
“Hubble Cantata … a work of extraordinary beauty.”

The New York Times

June 26, 2013
“Mr. Lubovitch’s new 'As Sleep Befell' made for a better match with Ms. Prestini’s music. At the center of a semicircle of string, wind and percussion players stood the vocalist Helga Davis, a kind of murmuring angel. Six shirtless male dancers were arrayed out in front of her on the ground, tossing and turning handsomely to Ms. Prestini’s atmospherics, as if in a shared dream … [it was] visually arresting.”

The Washington Post

January 13, 2013
“Spellbinding music…”

WQXR

January 9, 2013
“The Aging Magician is grandly, even venerably, operatic…[from the composer] who wrote the acclaimed Oceanic Verses.”

The New York Times

June 27, 2012
“A sweeping social portrait of southern Italy.” … ”the songs and choral settings are painted in the bright hues and varied rhythms of folk exotica." ... “Their video counterparts in an artful film.”

The Washington Post

June 24, 2012
“Paola Prestini, and her creative team have high ambitions…[and] common sense about what works onstage: characters you can connect to, music that engages.” ... “The layering of ideas and music knitted together to present something that moves forward with the vitality of the original folk material.”

The New York Times

June 22, 2012
“Ms. Prestini – an inventive composer whose style mixes the ancient and the up-to-date, the folk inspired and the artfully polished”

Opera Pulse

June 20, 2012
“An inquisitively progressive piece.” ... “[baritone Chris Burchett’s] depth and focus is quite beautiful.” ... “This is, I think, what will make us want to see this again and again- we’ll take something completely new from it each time we see it.” ... “Overall, I must and I will see this project in its entirety… it’s a gem.”

New York Times

April 8, 2011
"In the poignant, entrancing “Aging Magician...the rich artistic elements of come together powerfully. The music is crucial, by turns pensive and fidgety, solemnly harmonic and skittishly diffuse...the choral writing is ethereal, unfolding in long-spun lines and chantlike phrases."

The New York Times

April 4, 2010
"Radiant … [and] amorously evocative.”