I've never seen a performance that left me any more stunned... It's a definitive creation of a role women will be clamoring to play for decades.

It was a pleasure to read the final verse of the eight-part poem at the catacombs of the Green-Wood Cemetery as part of the live performance of composer Paola Prestini’s breathtaking record Houses of Zodiac with Paola’s partner Jeffrey Zeigler on transcendent cello.

The continually fascinating music proceeds...a breathtaking conclusion to a truly original event that took in the definitions of concert, dance, and theater.

An intoxicating and decidedly avant-garde soundscape — complex, often cryptic, and emotionally potent — that encourages listeners to meditate on the mysteries of life’s winding and murky journey and the inherent divinity of our humanity.

The opera titled "Sensorium Ex" is both art and advocacy, aimed at giving new voice and opportunities to the disabled, using A.I. to benefit, rather than harm, and changing the world of opera itself. "Sensorium Ex" is a new opera that is pushing boundaries by using AI to assist performers with disabilities.

A monumental disruption in the fusion of art and technology. [Sensorium Ex] fuses 3D sensing, artificial intelligence, disability solutions, operatic talent and artistic creativity to deliver a groundbreaking performance.

The musical composition wove together historical moments in a beautiful tapestry of unified force designed to intoxicate the mind...The message of this performance will echo along the human journey for generations to come!

Though 'Port(al)' was written for young singers, there was nothing toned-down or unsophisticated about it...'Port(al)' is an anti-war requiem

...exceptionally well written...Prestini is unafraid to take risks concerning the magnitude or moving parts of a production, and those risks certainly paid off for an inspiring performance of 'Port(al)'

a sprawling, ambitious, innovative new collaborative production

A beguiling blend of elements drawn from folk, contemporary classical and 18th-century Baroque music, combined with improvisatory passages, drones, jazz harmonic structures and live electronics.

This work is everything dreamed and imagined, produced and performed with utmost care, consciousness and soul. “Primero Sueño” lights the way forward for all.

A deeply satisfying blend of musical styles that are alternatingly gentle, mystical and joyous.

Timeless and otherworldly and, somehow, boldly, a product of New York City.

Each shift in Prestini’s score was arresting.