“A stirring demonstration of love and respect for a composer’s output.”

“A stirring demonstration of love and respect for a composer’s output.”

“His music made good use of…structure, with a score that moved briskly through a complex psychological evolution.”

“His music made good use of…structure, with a score that moved briskly through a complex psychological evolution.”

One of the most in-demand singers around the world, Brownlee has performed with nearly every leading international opera house and festival, as well as major orchestras including the Berlin Philharmonic, Philadelphia Orchestra, Chicago Symphony, New York Philharmonic, Accademia di Santa Cecilia, Boston Symphony, Cleveland Orchestra, San Francisco Symphony, and the Bayerische Rundfunk Orchestra.

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Nelsons leaned forward into the sound, sculpting the music with surpassing tenderness.

THE NEW YORKER

"[The orchestra] played brilliantly; James Conlon, in the pit, obtained a performance rich in impressionistic atmosphere... unsentimentally potent in effect."

THE NEW YORKER

One of the most in-demand singers around the world, Brownlee has performed with nearly every leading international opera house and festival, as well as major orchestras including the Berlin Philharmonic, Philadelphia Orchestra, Chicago Symphony, New York Philharmonic, Accademia di Santa Cecilia, Boston Symphony, Cleveland Orchestra, San Francisco Symphony, and the Bayerische Rundfunk Orchestra.

"the leading coloratura soprano in the world"

-The New York City